Under Fed, from her softest age, within the craft heritage of Tunisia, Nadia MAKHLOUF does not accept a creation which does not a respect its brilliant beauty. However, her loyalty to this aesthetic ideal which always excited her imagination doesn’t contradict with her respect to modernity and design. This modern-traditional mixture was moreover going to bloom later during her higher education, ceramic of art field.       It is during this stage that her conception of the artistic and craft creation, was going to grow rich for further objectives: a work whatever the intensity of its beauty could be, has no real values only if it fills a utilitarian function.     This principle applies to all her creations of traditional inspiration which ally perfectly, the magnificence of the heritage, to the functional requirements and to the trend concerns.